#18 on the 2022 Bacon Top 31 — Mitski

Laurel Hell by Mitski

Mitski Miyawaki, who writes and performs under her first name, Mitski, quit music in 2019. Shortly after her critically-acclaimed fifth album Be The Cowboy entered the mainstream, at the final show of her tour supporting that album, she announced to the crowd that it would be her last show indefinitely, and she meant it. “I was thinking this was the last show I would perform ever, and then I would quit and find another life,” she told Rolling Stone when looking back at that time in the build up to the February 2022 release of her wonderful sixth album, Lauren Hell. Her triumphant return, in more ways than one.

Lauren Hell was not a return to form or an unexpected surprise to me — it was the catalyst to finally understanding Mitski and her music. Despite placing her fourth album, Puberty 2, at #24 in 2016, I’ve never really connected with Mitski before. Her fifth album, the one that got her so much popularity that she had to sever all ties from the music world “indefinitely” barely hit my radar in 2018. I think I probably listened to it only once, maybe twice, never to be heard again. Even in the build up to this year’s list, with Lauren Hell, — similar to Big Thief at #24 this year — I knew I should like it, and I tried a few times but it just didn’t click.

Then I compiled the 2022 list towards the end of the year, as I do every year. I took a stab at where things would likely land, and this album was somewhere in the upper 20s. But in the day or two before I was to write about it, like I do every album on the list, I played the album a few times back to back to back. This time, the light bulb turned on. This was not a bottom-of-the-list album, it was better than that. So I shuffled things around. I didn’t push it too far up – I’m not crazy enough to think it’s better than 17 other albums from 2022 – but where each album is placed is meaningful to me, and having this album fall in the middle of the list is saying something. This album is great.

The songs of Lauren Hell are predictable in the best way possible. They start off quieter, they swell to a crescendo in the middle, and then they fall slowly at the end. They’re approachable, and impeccably crafted indie pop. She carries the torch first lit by Kate Bush, carried forward by Tori Amos, and most recently hoisted up by St. Vincent (2009 #24, 2012 #15 with David Byrne,2017 #27).

Mitski conveys a little bit of “off-kilter” similar to those artists in her videos as well. Watch “Love Me More” above, as well as “Working for the Knife” and “Stay Soft,” and you’ll find a performer fully invested in themselves and without shame. She continually puts herself in strange and unusual positions that are fantastic to watch while listening to her beautiful constructions. I didn’t sit with them to try and sort out the deeper meaning, but I’m convinced it’s there. Let me know if you find it. I’ll be over here listening to the album and trying to sort out what’s taken me so long to get to where the rest of you have been all along.

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19. Full Moon Project by Phosphorescent
20. Skinty Fia by Fontaines D.C.
21. I Love You Jennifer B by Jockstrap
22. Too Much to Ask by Cheekface
23. Dripfield by Goose
24. Dragon New Warm Mountain I Believe In You by Big Thief
25. And In The Darkness, Hearts Aglow by Weyes Blood
26. NOT TiGHT by DOMi & JD BECK
27. Preacher’s Daughter by Ethel Cain
28. Live at KEXP, vol. 10 by Various Artists
29. All You Need Is Time by Daisy the Great
30. Cool It Down by Yeah Yeah Yeahs
31. CAPRISONGS by FKA twigs

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#23 on the 2021 Bacon Top 31 — Lucy Dacus

Home Video by Lucy Dacus

Lucy Dacus has a gorgeous voice, soft and warm like a fresh-from-the-dryer flannel. She’s been on my radar since her debut album, No Burden, came out about five years ago. Natively from Virginia, the Philadelphia-based singer/songwriter has been slowly sinking her songs into my mind ever since. That pace quickened with her involvement in boygenius, the supergroup she formed with Julien Baker and Phoebe Bridgers back in 2018 (still waiting for a full-length from the trio…).

Home Video, Dacus’s third full-length, finally packed enough punch to push herself to the front of the queue and land her on the Bacon Top 31. Over the past few years, she’s managed to hit a level of intimacy and directness with her songwriting that is in direct contrast to the smooth beauty of her voice. The influences of Baker and Bridgers are clear (they each appear on the album on a handful of songs). But I also hear less likely influences, like Neko Case, St. Vincent, and Sharon van Etten. If any of those names are favorites of yours, you need to add Lucy Dacus to your list.

As part of the promotion for Home Video, Dacus appeared on the Song Exploder podcast. If you’re not familiar, Song Exploder, created and hosted by Hrishikesh Hirway, is great: artists come on and go into deep detail around a song of theirs – how it came into being, how it was performed and recorded in the studio, what it means to them, etc. The particular brilliance of the podcast is that Hirway mostly edits himself asking the artist questions out of the podcast. This leaves us, the listener, with the artist having a direct, seemingly 1-on-1 conversation with us, describing their songs in intimate detail.

For her episode, Dacus talked about “Thumbs,” my absolute favorite song on the album. This song is a gut punch. Hearing how it came together and how personal it is to Dacus is amazing. Even if the album on the whole isn’t your bag, I don’t see how you can’t love this song, and I recommend listening to the podcast just to hear it.

Pfffft. There’s no way this whole album isn’t your bag.

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24. I’ll Be Your Mirror: A Tribute to The Velvet Underground & Nico by Various Artists
25. Siamese Dream by Fruit Bats
26. NINE by Sault
27. Observatory by Aeon Station
28. The Monster Who Hated Pennsylvania by Damien Jurado
29. A Beginner’s Mind by Sufjan Stevens and Angelo De Augustine
30. Where the End Begins by Knathan Ryan
31. Private Space by Durand Jones & The Indications

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#24 on the 2021 Bacon Top 31 — Various Artists

I’ll Be Your Mirror: A Tribute to The Velvet Underground & Nico by Various Artists

Here at #24 we’re crossing off a couple of unexpected scorigami-like firsts here at the Bacon Top 31. I’ll Be Your Mirror: A Tribute to The Velvet Underground & Nico, the lovely full-album cover of the seminal debut album Velvet Underground & Nico, is not only the first time I‘ve featured not one but two full-remake cover albums on the Bacon Top 31 in the same year, but, somewhat unbelievably, it’s also the second time a full cover of this particular 1967 album is appearing on the countdown.

Way back in 2009 (the inaugural Bacon Top 31), Beck’s Record Club version of The Velvet Underground & Nico was #7 on the countdown that year. The 2021 cover version, put out by the band’s original 1967 label, Verve records, is aiming to cash in on the recently released Todd Haynes documentary about the band that was in theaters earlier this year.

(It’s mildly interesting that Verve has put this together, given that one of the reasons the 1967 original suffered poor sales at first — according to Wikipedia — was because of Verve, “who failed to promote or distribute the album with anything but modest attention.”)

But they’ve put together a masterpiece. The album’s roster is like the Bacon Top 31 all-stars: Andrew Bird, Kurt Vile, St. Vincent, Thurston Moore, King Princess, Fontaines D.C., and even Iggy Pop.

Like any compilations of covers, there are some highs and lows. The Matt Berninger cover of ”I’m Waiting for the Man,” shown in the video above is one of the lows. Berninger tries to channel his inner Lou Reed, but he’s too polished and controlled to pull it off. “Sunday Morning” by Michael Stipe and Bill Frissell is gorgeous from the very first note. Sharon van Ettan’s cover of “Femme Fatale” with Angel Olsen is slowwed waaay dowwwwn, a beautifully frustrating listen. And Courtney Barnett brings her usual off-beat and -key production to the title song “I’ll Be Your Mirror,” proving her music is a direct descendant of what The Velvet Underground & Nico accomplished 54 years ago.

If you like any of the artists mentioned above, definitely check out this album. They’re essentially performing the songs of their grandparents – without them, these artists would not exist. If you don’t know the artists, but like the original album, give this one a listen. You’ll find some kindred spirits you can explore to widen your tastes.

late addition: check out this live rendiition of Andrew Bird and Lucius’ cover of “Venus in Furs”. Watching Bird put the sonic landscape together all at once is a sight and sound to behold.

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25. Siamese Dream by Fruit Bats
26. NINE by Sault
27. Observatory by Aeon Station
28. The Monster Who Hated Pennsylvania by Damien Jurado
29. A Beginner’s Mind by Sufjan Stevens and Angelo De Augustine
30. Where the End Begins by Knathan Ryan
31. Private Space by Durand Jones & The Indications

There are many ways to listen to the 2021 Bacon Top 31. Subscribe now and enjoy the new albums / songs as the countdown is completed!

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Radio Station
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#13 on the 2020 Bacon Top 31 — Gorillaz

Song Machine, Season One: Strange Timez by Gorillaz

Damon Albarn is a musical chameleon. He got his start with Blur in the early 90s (whose 8th album The Magic Whip was on the Top 31 at #21 in 2015). He’s also appeared on the Top 31 with The Good, The Bad and the Queen (#23 in 2018). And what started as a side project in 2005, Gorillaz has lately become Albarn’s main gig. The band’s seventh album, Song Machine, Season One: Strange Timez appears here at #13 for 2020.

I’d lost interest in Gorillaz, despite my ongoing love for Albarn’s music. I haven’t loved anything he’s done with Gorillaz since their 2005 Danger Mouse-produced sophomore album Demon Days, and consequently the four albums prior to Song Machine that were released between 2010 and 2018 did not make the Top 31 cut. I’m glad that 2020 saw the release of another great Gorillaz album.

For those of you living under a rock, Gorillaz is a “virtual” band, with four fictional animated characters illustrated by Tank Girl-creator Jamie Hewlett. Musically, the band’s songs are principally created by Albarn, with a large collection of support characters and guest stars coming in to flesh things out. Since 2016, the band’s song creation duties have been shared with a third member of the band, Remi Kabaka Jr., who mans the lead percussion and produces the songs. Together they create a wide variety of digitally-created music with Albarn taking the lead on vocals, often singing with guest starts.

Song Machine started at the beginning of 2020 as a web-only music video series, a collection of singles released monthly with guest stars appearing on each song. There was no intention of releasing the songs as a full album. But, much like all the other plans launched in the first couple months of 2020, things changed. And we’re all the better for it.

The guest stars on Song Machine, Season One are what propelled this album into a prominent spot of my 2020 playlist. Robert Smith, Beck, St. Vincent, Elton John, and Peter Hook (among many many others) appear on the album. Not only do they lend their voices to these songs, but the songs they appear on shift tonally to the range that these voices are known for. So the album often sounds less like a Gorillaz album, and more like a movie soundtrack filled with great pop songs.

The album is very easy to love. Even if you’ve not been a fan in the past, I recommend checking it out. You just may surprise yourself.

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1. Saint Cloud by Waxahatchee
2. Fetch The Bolt Cutters by Fiona Apple
3. Punisher by Phoebe Bridgers
4. folklore + evermore by Taylor Swift
5. Untitled (Black Is) + Untitled (Rise) by Sault
6. RTJ4 by Run The Jewels
7. Shore by Fleet Foxes
8. Serpentine Prison by Matt Berninger
9. The Ascension by Sufjan Stevens
10. Making a Door Less Open by Car Seat Headrest
11. Dreamland by Glass Animals
12. A Hero’s Death by Fontaines D.C.
13. Song Machine, Season One: Strange Timez by Gorillaz
14. Mordechai + Texas Sun EP by Khruangbin
15. Introduction, Presence by Nation of Language
16. Free Love by Sylvan Esso
17. Miss Anthropocene by Grimes
18. 3.15.20 by Childish Gambino
19. Women In Music Pt. III by HAIM
20. The Third Mind by The Third Mind
21. Superstar by Caroline Rose
22. Impossible Weight by Deep Sea Diver
23. We Will Always Love You by The Avalanches
24. Ultra Mono by IDLES
25. Visions of Bodies Being Burned by clipping.
26. Thin Mind by Wolf Parade
27. The Loves of Your Life by Hamilton Leithauser
28. Palo Alto (Live) by Thelonious Monk
29. color theory by Soccer Mommy
30. Fall to Pieces by Tricky
31. Quarantine Casanova by Chromeo

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All Top 31s

#5 on the 2017 Bacon Top 31

Soul of a Woman by Sharon Jones & The Dap-Kings

Sharon Jones was an amazing woman who lived a hard life. As I wrote in my review of her and The Dap-Kings’ fantastic album Give the People What They Want (#12 in 2014):

Jones has a storied history herself, having been nothing more than a backup singer throughout the 70s, 80s and 90s. She spent her days as a corrections officer at Rikers Island and an armored car guard for Wells Fargo.

I’m sad to report that Ms. Jones passed away in November 2016, due to pancreatic cancer that she had been battling since 2013. But her music truly lives on, with this posthumously released eighth album, Soul of a Woman. Watch the video for Sail On! and you’ll see the shrouded in shadow Jones singing into a mic wearing a baseball cap over her chemo-therapy-induced bald head. But her voice never wavered. In the video for “Call on God” she is a little more prominent, so you can get a better feel for the woman behind the voice.

Bottom line, Sharon Jones was a powerhouse. Check out this performance by the band at the grand opening of KEXP’s new home, in April 2016 (just 7 months prior to her passing). What she and the Dap-Kings were able to create is the best, and that’s why I have their final album here in the Top 5.

I’m sure we’ll hear a lot more from the Dap-Kings — they’ve been the backup band for many different acts, including David Byrne and St. Vincent on their album Love This Giant, which was #15 in 2012. But there can be no more Sharon Jones to come, we’ve heard it all. She will be sorely missed, and I will thoroughly enjoy listening to her music for the rest of my life. May she rest in peace.

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6. Relaxer by Alt-J
7. Hot Thoughts by Spoon
8. Colors by Beck
9. Mental Illness by Aimee Mann
10. The Wild by The Rural Alberta Advantage
11. american dream by LCD Soundsystem
12. Crack-Up by Fleet Foxes
13. Famous Last Words by The True Loves
14. Cry Cry Cry by Wolf Parade
15. Pure Comedy by Father John Misty
16. Shake the Shudder by !!!
17. La La Land (Original Motion Picture Soundtrack) by La La Land
18. The Underside of Power by Algiers
19. What Now by Sylvan Esso
20. 50 Song Memoir by The Magnetic Fields
21. Plunge by Fever Ray
22. DAMN. by Kendrick Lamar
23. Capacity by Big Thief
24. The Tourist by Clap Your Hands Say Yeah
25. CCFX EP by CCFX
26. Woodstock by Portugal. The Man
27. MASSEDUCTION by St. Vincent
28. On the Spot by Hot 8 Brass Band
29. A Deeper Understanding by The War on Drugs
30. Planetarium by Sufjan Stevens, Nico Muhly, Bryce Dessner, & James McAlister
31. A Moment Apart by Odesza

Subscribe to the 2017 Top 31 Apple Music playlist
2009-2016 Top 31s

#27 on the 2017 Bacon Top 31

MASSEDUCTION by St. Vincent

It’s been a while since I musically connected with Annie Clark, otherwise known as St. Vincent. I quickly fell in love with her stage presence ten years ago, amidst the release of her debut album, Marry Me. She was a force on the stage, and I made sure to let everyone know about it.

Her 2nd album Actor appeared on the first Bacon Top 31 in 2009, but her third and fourth albums failed to hook me enough to break into the Top 31 in 2011 and 2014. She did, however, appear again on the Top 31 in 2012, because of the fantastic Love This Giant album she made with David Byrne.

But sometimes good things come to those who wait. With MASSEDUCTION, her fifth full-length album, St. Vincent has found new musical ground to cover. This album is solid from start to finish, and helps her escape that “sonic safe zone” my brain had put her in back in 2011.

On top of the great music, Clark has always been a visually stunning musician, both physically and in how she portrays her image in the world. She clearly takes many cues from David Byrne and his chameleon-like transformations over the years. The videos that have come out in support of MASSEDUCTION demonstrate this visual acuity: be sure to watch the above video for “New York,” as well as these great videos for “Pills” and “Los Ageless”.

If you’d given up on St. Vincent like I had, give this new album a listen. You may find you like what you hear.

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28. On the Spot by Hot 8 Brass Band
29. A Deeper Understanding by The War on Drugs
30. Planetarium by Sufjan Stevens, Nico Muhly, Bryce Dessner, & James McAlister
31. A Moment Apart by Odesza

2009-2016 Top 31s

#24 on the 2016 Bacon Top 31

Puberty 2 by Mitski

The album at #24, by the singularly-named woman, Mitski, sounds familiar and unique all at once. In her voice you can hear traces of other powerful singers like St. Vincent, Liz Phair, or Sharon van Etten. Her music, well- but not overly-produced, is a fluid blend of electronic and analog instruments, quiet and then pushed at times to the edge of breaking. Puberty 2 is her fourth album, and this is the only one I’ve listened to, but I aim to hear the others.

I don’t tend to hear the lyrics I’m listening to, the voice tending to be more like another instrument, and Puberty 2 is no different. She could be singing about death and destruction, or happiness and joy, and I’d be none the wiser. But that’s, again, part of the beauty. She’s a half Japanese, half American female Jónsi, leading her own New York-based Sigur Ros.

There. I think I’ve thrown enough confusion at you to spark some interest. Now go listen, won’t you?

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25. Light Upon the Lake by Whitney
26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#27 on the 2015 Bacon Top 31

Gunnera by Pfarmers

We continue the long-running love of all things Menomena and The National here at The Bacon Review with Pfarmers. A collaboration between Danny Seim (Menomena), Bryan Devendorf (The National), and Dave Nelson (Sufjan Stevens, St. Vincent), Pfarmers is actually the first of two collaborations between those two bands that will appear on this year’s Top 31.

I’m a big fan of members from bands trading players and making more music, giving me elements of what I liked about all of them in a new form. Pfarmers sounds more like Menomena than the National, but just barely. Most of the album is made up of songs that don’t really fit a mold: a bit electronic, a bit analog, and trippy throughout. The high energy song above, “The Ol’ River Gang” is definitely the highlight of the album. The rest of the songs are slower, background-like thinking pieces.

If you liked Menomena or The National, then you’ll like Pfarmers. If you don’t like either of those bands, then you probably won’t like Pfarmers. But give the song above a listen, you may be surprised.

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28. Swimmer to a Liquid Armchair by Ricked Wickey
29. To Pimp a Butterfly by Kendrick Lamar
30. Live in Seattle by Moufang / Czamanski
31. High by Royal Headache

What is the Bacon Top 31?
Past years’ Top 31s

The Chemical Brothers — Go

My love of electronic music has waned since its heyday in the mid-90s (back when we called it “techno”), but there are a few acts from that time that still get me excited when they release a new album. The Chemical Brothers are one such act, and they’ve just released their eigth studio album, Born in the Echoes.

I’m only just now listening to it for the first time, but if the rest of the album is as good as “Go” (don’t judge a song by its video), then it’s definitely going to be one of the year’s best. In addition to Q-Tip (from A Tribe Called Quest), Beck and Annie Clark (aka St. Vincent) make notable appearances on the album.

In the 90s (when I was a poor college student) I would have had to wait until I found this album in the used-CD bins at the local record shop, to which every trip meant leaving with a stack of new music in my hot little hands. Nowadays the equivalent is a flurry of album purchases on a single day, monthly or so. It’s not the same, and I long for the days of rifling through the used sections, but who has room or need for all that plastic? Not me. But a new Chemical Brothers album? Hell yes.

#6 on the 2014 Bacon Top 31

Nicky Nack by tUnE-yArDs

This is the second Top 10 appearance by the artist at #6, Oakland’s tUnE-yArDs. In 2011, the band made it all the way up to #4 with their second album, W H O K I L L. In that review, I wrote about the band:

tUnE-yArDs is an extension of one very talented person’s musical experimentation. Her name is Merrill Garbus, and she is a phenomenon. She creates music that’s definitely not for everyone. How she creates her music is not entirely original: she uses loops of her powerful voice along with other analog sounds to create electronic beats/rhythms/melodies (similar to Andrew Bird and St. Vincent), culminating in a cacophony of sounds that are vaguely African in origin. Hearing the recordings on her two albums, this seems somewhat apparent but doesn’t jump out at you like it does in her live show, where she is beating on anything in sight with her drum stick and creating complicated orchestrations on the strings of a ukulele.

Nicky Nack, the third and every-bit-as-fantastic album to spring forth from Garbus’s brain, is just as eclectic, as strange. Rooted in heavy beats, multiple layers of sound, and meaningful stories about trouble, conflict and cultural exploration, the album is an absolute joy to listen to. Garbus came through town on December 13, and I’m kicking myself for having not gone to the show to try and relive the experience I had back in 2011.

This music may not be for everyone, but I think everyone should listen to the above song before passing judgment. “Water Fountain” is the best song on the album. Give it at least until the bridge, which starts just past the 2:00 mark. From that point on, it builds and builds and comes crashing into the chorus one last time, at which point you should be bouncing along happily to the beat.

Earlier this year, tUnE-yArDs performed in the KEXP studios, and the entire performance is available for viewing. Watching how these songs are performed should give you a massive appreciation for how difficult it is for Garbus and the band to recreate these songs live. There’s also another video, for the song “Real Thing,” as seen here.

Buy this album. Then get her other two albums. They’re unlike anything else out there, and they are simply great.

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7. Not Art by Big Scary
8. The Cautionary Tales of Mark Oliver Everett by Eels
9. Owl John by Owl John
10. LP1 by FKA Twigs
11. Black Hours by Hamilton Leithauser
12. Give the People What They Want by Sharon Jones and the Dap-Kings
13. Lost in the Dream by The War On Drugs
14. Warpaint by Warpaint
15. Heal by Strand of Oaks
16. Stay Gold by First Aid Kit
17. This is All Yours by ∆
18. Brill Bruisers by The New Pornographers
19. Only Run by Clap Your Hands Say Yeah
20. Augustines by Augustines
21. El Pintor by Interpol
22. I Never Learn by Lykke Li
23. Tomorrow’s Modern Boxes by Thom Yorke
24. The Voyager by Jenny Lewis
25. Voices by Phantogram
26. Morning Phase by Beck
27. Hungry Ghosts by OK Go
28. Run the Jewels 2 by Run the Jewels
29. Cosmos by Yellow Ostrich
30. Teeth Dreams by The Hold Steady
31. With Light & With Love by Woods

2009-2013 Top 31s

#12 on the 2014 Bacon Top 31

Give the People What They Want by Sharon Jones and the Dap-Kings

Whereas The War On Drugs’ sound harkened back to 80s classic rock (as discussed at #13), the band at #12 goes back even further, to the 60s and 70s. Sharon Jones and the Dap Kings are a product that sounds so familiar, you could be excused if you thought the songs on Give the People What They Want were all covers. But you’d also be wrong — these songs are all from the new millennium, written and recorded in 2013.

A fantastic blend of horns, backup singers, and powerful lead vocals by Sharon Jones, you can’t help but happily bounce in your seat when listening to them play. Jones has a storied history herself, having been nothing more than a backup singer throughout the 70s, 80s and 90s. She spent her days as a corrections officer at Rikers Island and an armored car guard for Wells Fargo. Knowing this information lends credibility to her words. When she wails “Get Up and Get Out,” you really feel compelled to do so.

The Dap-Kings have their own storied history, having been playing together as a group since the turn of the millennium. You’ve heard them many times over, although you might not have been aware of it. They were Amy Winehouse’s backing band on most of her amazing 2006 album Back to Black. They also appeared (uncredited) right here in the Top 31 of 2012, as the backing and pervasive horn section for David Byrne and St. Vincent’s collaboration Love This Giant.

In a normal year, this album would be in the top 10 for sure. It will certainly stand the test of time. I may regret putting it at #12. Either way, it’s fantastic, and you should be putting it into your ear holes right this minute.

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13. Lost in the Dream by The War On Drugs
14. Warpaint by Warpaint
15. Heal by Strand of Oaks
16. Stay Gold by First Aid Kit
17. This is All Yours by ∆
18. Brill Bruisers by The New Pornographers
19. Only Run by Clap Your Hands Say Yeah
20. Augustines by Augustines
21. El Pintor by Interpol
22. I Never Learn by Lykke Li
23. Tomorrow’s Modern Boxes by Thom Yorke
24. The Voyager by Jenny Lewis
25. Voices by Phantogram
26. Morning Phase by Beck
27. Hungry Ghosts by OK Go
28. Run the Jewels 2 by Run the Jewels
29. Cosmos by Yellow Ostrich
30. Teeth Dreams by The Hold Steady
31. With Light & With Love by Woods

2009-2013 Top 31s

David Byrne and St. Vincent, with “Who” from their forthcoming collaboration Love This Giant. This video is pretty much exactly what I thought a video with these two wackadoo performers would be like.