#10 on the 2021 Bacon Top 31 — Low
Hey What by Low
We’re entering the Top 10 with an explosion of sound. Hey What, the 13th album from Duluth, Minnesota band Low is the loudest, most distorted album on the 2021 Top 31. And it is glorious.
My love of Low has had its ups and downs. I like to think I’m attracted to most if not all kinds of music, but I have my limits. Low often falls outside of those limits – too noisy, too disparate, too unapproachable. The last Low album I loved was 2005’s The Great Destroyer, and it, too, is glorious. But that was 16 years and seven albums ago. Consequently, you’ll notice a distinct lack of Low on the Top 31. Enter Hey What.
It would be foolish of me to say that Hey What is approachable. It most certainly is not: excessive amounts of distortion, feedback, reverb, electronic noise and the band’s signature dissonant harmonies from dual leads Alan Sparhawk and Mimi Parker make for an album that is far from an easy listen. Consequently, to love this (and any previous) Low album is a somewhat singular affair, calling for expensive headphones, a dark room, and a healthy side of THC. Assemble those ingredients, lie down, and feel yourself almost literally melt into the carpet.
There are a number of videos out from the album. I particularly like the song “Days Like These,” so I featured it above, but I’d be hard-pressed to determine a favorite. Nonetheless, please enjoy these other visual delights:
- “White Horses”
- “I Can Wait”
- “Disappearing”
- “Hey”
- “More”
For the first time in their career, Low is a true duo. The core of the band has always been married couple Alan Sparhawk and Mimi Parker, but there’s always been at least one other person performing instruments alongside them since their inception 28 years ago. With the departure of their longtime bassist Steve Garrington in 2020, Sparhawk and Parker moved forward with writing and creating Hey What on their own.
They are quite possibly the quintessential working couple. The two have recorded and performed together for the entire history of the band, through the birth of two children, and here they remain, 28 years later, at the pinnacle of their musical careers, with no sign of stopping. Their music is unmistakable thanks to their uniquely harmonized vocals. They’ve found a sound and stuck with it, unabashedly doing things their way, to great effect.
- Local Valley by José González
- Head of Roses by Flock of Dimes
- The Nearer the Fountain, More Pure the Stream Flows by Damon Albarn
- Collapsed in Sunbeams by Arlo Parks
- Loving In Stereo by Jungle
- Flying Dream 1 by Elbow
- Screen Violence by Chvrches
- Blue Weekend by Wolf Alice
- Mainly Gestalt Pornography by Pearly Gate Music
- Peace Or Love by Kings of Convenience
- These 13 by Jimbo Mathus & Andrew Bird
- Mr. Corman: Season 1 by Nathan Johnson
- Home Video by Lucy Dacus
- I’ll Be Your Mirror: A Tribute to The Velvet Underground & Nico by Various Artists
- Siamese Dream by Fruit Bats
- NINE by Sault
- Observatory by Aeon Station
- The Monster Who Hated Pennsylvania by Damien Jurado
- A Beginner’s Mind by Sufjan Stevens and Angelo De Augustine
- Where the End Begins by Knathan Ryan
- Private Space by Durand Jones & The Indications
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Full Album
All albums in their entirety.
Radio Station
A single song selection pulled from each album.