#22 on the 2024 Bacon Top 31 — The Smile
Wall of Eyes and Cutouts by The Smile
Sometimes I’ll get to the end of the year, export the list of albums I downloaded to my library in Apple Music over the past 12 months, and be surprised to learn upon review that such-and-such album only came out this year (as opposed to earlier). Such is the case with Wall of Eyes, the first of a pair of albums from Radiohead side-project The Smile that were released in 2024. Wall of Eyes came out nearly a year ago, on January 26, and its sister album, Cutouts, on October 4.
The Smile – the trio of Thom Yorke and Jonny Greenwood from Radiohead, and Tom Skinner on drums – also appeared on the Top 31 with their 2022 debut album, A Light for Attracting Attention, which landed at #15 that year. While Nigel Godrich produced the debut, both of the 2024 albums were produced by Sam Petts-Davies, who previously worked with Yorke on his soundtrack for the movie Suspiria that came out in 2018 (#22 that year) as well as his Confidenza soundtrack, which came out in April this year and will not be appearing on the Top 31 because, frankly, I had forgotten it existed until right now (whoops!). These two The Smile records mark the first time we’re hearing output from the duo of Yorke and Greenwood that was not produced by Godrich since Radiohead’s debut, Pablo Honey, (32 years ago!).
Petts-Davies’ production allows Greenwood, Yorke, and Skinner the freedom to move about, opening the door for a more raw, immediate, and guttural execution than anything you’ll hear on a Radiohead album. Between the two 2024 albums, the latter Cutouts feels more amped up, featuring a number of guitar-driven songs that have Greenwood playing like a kid set loose in a candy store. Currently, my favorite song across both albums comes from this frenzy: “Zero Sum,” which has an appropriately crunchy, digital visualizer created by artist Weirdcore (who created visualizer videos for the entire Cutouts album).
When Wall of Eyes came out, it was ushered into the world with two PT Anderson-directed videos, for “Friend of a Friend” (featured above) and title track “Wall of Eyes.” Outside of those two “proper” videos, the rest of Wall has visualizer videos created by animator Sabrina Nichols and longtime Radiohead visual collaborator Stanley Donwood. I’ve come to realize I’m a much bigger fan of live-action short-film videos as opposed to visualizer videos, which have a place more as the backdrop to a live band than they do as a vehicle to carry a song.
These albums don’t have the overhead that a Radiohead album would, and that rough-around-the-edges feel contributes to a more ephemeral vehicle for Yorke’s always-dreamy vocals. He will always sound like himself, but without the Godrich production and the rest of Radiohead to back him up, I’m guessing I won’t often reach for these two albums down the road. Why would I, when I can just as easily put on any one of Radiohead’s albums and be infinitely more pleased? Despite all that, please don’t be deterred in listening to these alternate-universe Radiohead songs. Even a second-rate effort by Thom Yorke and Jonny Greenwood is better than a first-rate effort from the other 99% of the music world. It is literally impossible for them to produce anything less. Listen now and enjoy.
__________________________________________
- Below a Massive Dark Land by Naima Bock
- Mahashmashana by Father John Misty
- Strawberry Hotel by Underworld
- Faith Crisis Pt 1 by Middle Kids
- Romance by Fontaines D.C.
- Here in the Pitch by Jessica Pratt
- Brand On The Run / Our Brand Could Be Yr Life by BODEGA
- People Who Aren’t There Anymore by Future Islands
- White Roses, My God by Alan Sparhawk
Subscribe to the Top 31 playlists!
Full Albums
All albums in their entirety
Radio Station
The best song pulled from each album