#22 on the 2023 Bacon Top 31 — Ratboys
The Window by Ratboys
There seem to have been a slew of artists on the 2023 Top 31 who have been writing, performing, and producing music for over a decade before finally hitting my radar and/or making something great enough to beat out the competition. Please add Chicago’s Ratboys to that list. The band formed back in 2010 when their lead singer, Julia Steiner, and guitarist David Sagan were going to Notre Dame. They released their debut album, AOID, in 2015. Four albums later, here we are with their fantastic fifth full-length, The Window.
I haven’t yet compared Ratboys’ The Window against their previous work, but I feel safe in saying there’s a reason their new album has risen above the fray to land here on the Top 31, and that reason goes by the name Chris Walla. You may know Walla as a huge part of the formation and longevity of Death Cab for Cutie. He left DCFC in 2014 after 17 years, but has continued producing other band’s work to great success, including The Long Winters, The Decemberists, and Tegan and Sara.
Ratboys has a little more fuzz in their twang, but they remind me of a number of past Top 31 alt-country artists. Steiner’s vocals most closely resemble Jenny Lewis (#24 in 2014). There’s a little Big Thief (2017, 2019, and last year), and some definite Katie Crutchfield in there (aka Waxahatchee, whose Saint Cloud was #1 in 2020). If you’ve liked any of those bands, then The Window is for you.
Still having doubts? Then check out the band’s unbelievably good live set they performed at KEXP back in October. I only just watched it for the first time today, a couple days after I wrote the rest of this review, and just one day before this review is published (thanks Pete for pointing it out to me!), and now I’m wondering if I’ve ranked this album too low on the Top 31. That extended guitar solo in the middle of “Black Earth, WI” is Doug Martsch-esque. It‘s too late now to change it, but mark my words: when Ratboys’ next album is in the Top 10 for the year it comes out, I’ll come back here and read this review and remember exactly why it’s at #22.
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