#21 on the 2016 Bacon Top 31

Farewell, Starlite! by Francis and the Lights

I didn’t discover this album until five days ago, even though it came out in September. I’d had a different album for this spot until I realized it was disqualified due to it having come out in November (putting it into the time frame for next year’s Top 31). So I was glad that this album came along, and I’m glad it’s powerful enough to show up here, at #21.

Francis and the Lights is a man who had his name legally changed to Francis Farewell Starlite. While Starlite has been performing as Francis and the Lights in front of as well as behind the mic since 2007, Farewell, Starlite! is his debut album. And it’s full of auto-tuned goodness. It’s dancey and poppy and makes me feel good inside. There’s not much more I can say about it.

Be sure to watch the video above, for the song “Friends.” It features Kanye West and Bon Iver’s Justin Vernon, along with Starlite, who dances like an idiot before joining in lockstep with Vernon in a jokey little choreographed routine. It’s brilliant in it’s silliness.

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22. This Unruly Mess I’ve Made by Macklemore & Ryan Lewis
23. LNZNDRF by LNZNDRF
24. Puberty 2 by Mitski
25. Light Upon the Lake by Whitney
26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#22 on the 2016 Bacon Top 31

This Unruly Mess I’ve Made by Macklemore & Ryan Lewis

These guys really know what they’re doing. They’re insanely popular, and they’ve built it all up themselves. But if you listen to the music created by lyricist / rapper Macklemore and his music-producing cohort Ryan Lewis, it becomes clear they’re just fumbling through it all like everybody else. The brutal honesty of Macklemore’s lyrics on this new record, the duo’s second full-length collaboration, step well beyond the refreshingly lucid lyrics of their debut, The Heist.

Next to chart-topping songs like “Downtown,” (which is insanely raunchy — when was the last time you heard a song with the word “scrotum” in it?), and “Dance Off” (which video is shown above, featuring none other than Idris “‘Stringer’ Bell” Elba), Mack sings about the inner turmoil of being an imposter for his success, of being white and finding it difficult to fight for #blacklivesmatter, of being a dead-beat father who’s never around. The album’s truths are at once arresting and refreshing.

But then it comes to the global acceptance of them. Nothing brings out my own insecurity about being a white American male more than listening to Macklemore do his thing. I feel guilty listening to him with my son, especially when we get to the song “White Privilege II” and the spoken-word passage of the mom clearly talking to Macklemore and saying

“You’re the only hip-hop that I let my kids listen to
’Cause you get it, all that negative stuff it isn’t cool”

Because it causes my son to ask questions, questions that are hard for me to answer, that make me uneasy in my “whiteness.” And while it’s not true that Macklemore & Ryan Lewis is the only hip-hop I let my son listen to, all of his points hit a nerve (as it’s supposed to).

And that’s where Mack’s lyrics shine — in that moment where you stop, and you think, and you examine your own world and decide “am I doing everything I can in this fucked up world of ours?” and realize you most certainly are not, and you start to edge yourself towards being that ultimately unattainable “better person.” And you keep on trying, thanks in small part to Macklemore & Ryan Lewis.

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23. LNZNDRF by LNZNDRF
24. Puberty 2 by Mitski
25. Light Upon the Lake by Whitney
26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#23 on the 2016 Bacon Top 31

LNZNDRF by LNZNDRF

At this point, I’m pretty sure all the guys in The National have broken orbit and expanded into new projects. Two cross-pollenated National / Menomena bands made last year’s Top 31 (Pfarmers and El Vy). And here at #23 this year we have a National / Beirut crossover, with Scott and Bryan Devendorf (the set of non-Dessner brothers from The National) and Ben Lanz (trombone player from Beirut) making some rather proggy, noodly indie-rock.

Remember Secret Machines, that fantastic early 2000s prog-rock trio that brought their own stage to the Showbox and played in the round? That’s what LNZNDRF reminds me of. A few songs on the album have vocals, but the songs without vocals are more intriguing.

The production value of the album is high, as can be expected by anyone in The National. Layers of analog instruments, nothing too overpowering, seamlessly blended together into a cohesive musical story. There’s not much Beirut to be heard here, there isn’t even any horns, which I find surprising. But overall, it’s a lovely album to put on in the background while doing pretty much anything. I suggest doing so at your earliest convenience.

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24. Puberty 2 by Mitski
25. Light Upon the Lake by Whitney
26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#24 on the 2016 Bacon Top 31

Puberty 2 by Mitski

The album at #24, by the singularly-named woman, Mitski, sounds familiar and unique all at once. In her voice you can hear traces of other powerful singers like St. Vincent, Liz Phair, or Sharon van Etten. Her music, well- but not overly-produced, is a fluid blend of electronic and analog instruments, quiet and then pushed at times to the edge of breaking. Puberty 2 is her fourth album, and this is the only one I’ve listened to, but I aim to hear the others.

I don’t tend to hear the lyrics I’m listening to, the voice tending to be more like another instrument, and Puberty 2 is no different. She could be singing about death and destruction, or happiness and joy, and I’d be none the wiser. But that’s, again, part of the beauty. She’s a half Japanese, half American female Jónsi, leading her own New York-based Sigur Ros.

There. I think I’ve thrown enough confusion at you to spark some interest. Now go listen, won’t you?

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25. Light Upon the Lake by Whitney
26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#25 on the 2016 Bacon Top 31

Light Upon the Lake by Whitney

It’s always a bit strange to pick up an album you listened to quite a bit over the summer and then listen to it when it’s 34° outside and pitch black. You hear the album in question in an entirely different way. So it is with Chicago band Whitney’s fantastic, and very summery, debut album, Light Upon the Lake.

Take a smidge of Andy Gibb, throw in some reverb, some compressed horns, and a dash of happiness and you end up with Whitney. The band rose up out of the ashes of the short-lived but critically acclaimed Smith Westerns.

Despite the cold and wet outside, I suggest putting this album while lounging in front of a raging fire. Put on headphones to block out the crackle of the fire and close your eyes — you’ll be instantly whisked away to a distant beach, the sun beating down on your face, and you’ll feel an urge to reach for some sunscreen that isn’t there. Now enjoy the music. Just be sure not to catch your toes on fire while daydreaming.

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26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#26 on the 2016 Bacon Top 31

A Corpse Wired for Sound by Merchandise

Circling back to the 80s again (see #31), we find ourselves listening to Merchandise, from Tampa. This is not the kind of music you’d expect to come out of sunny Florida. It’s dark and brooding, somewhere in the vicinity of gothic icons like Depeche Mode, Bauhaus, and Joy Division, with industrial noise, synthesizers, drum machines and well-produced guitars filling in the melodies. Throw in a little INXS-esque pop hooks, and you’ve got a good basis for what to expect with the album. The eighties are alive and well in Tampa, apparently.

This is technically the band’s fifth album since forming in 2008, but I’ve not heard nor am I compelled to seek out their previous work (the description of this album and the band’s history on the 4AD website essentially says that even though the trio that made this album was responsible for the previous albums, this one is entirely unlike anything they’ve produced before it. There’s also a mysterious lack of information about this band; for a band to have five albums, even with a stupidly generic name like Merchandise, you should still be able to find a wikipedia page on them. NOPE.

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27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#27 on the 2016 Bacon Top 31

Away by Okkervil River

Will Sheff, the driver (and lead singer) behind Okkervil River, is sad. Or, at least I think he is. The band’s eighth album, Away, is dripping is depression. This is not foreign territory for the band. Black Sheep Boy, their 2005 album, leaves you with the feeling you’ve been sitting under a dark thundercloud for 45 minutes.

But this can be a good thing — I love hearing an album that makes me feel things, as Away does. It’s ok that those feelings are mostly ones of concern for Sheff’s well-being, but I find that’s often the case with musicians who really put their all into their music.

Take the video above, for instance. It’s for a song called “Okkervil River R.I.P.” Sheff’s lyrics tend to be obtuse, so it’s impossible to know for sure what the song means, but it’s easy to draw some conclusions from that title. Will this be the last Okkervil River album? It could be that this song, which happens to also be the first song on the album, is about the fact that the only common part of the band from previous Okkervil River albums is Sheff himself. Every other performer on the album is new.

But Sheff’s voice is still his voice, and if you’ve liked previous OR albums, I recommend giving this one a listen.

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28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#28 on the 2016 Bacon Top 31

case/lang/veirs by case/lang/veirs

I like to consider the album here at #28 and yesterday’s Sam Beam and Jesca Hoop album) as two parts of a whole. Both albums were produced, mixed and engineered by the inimitable Tucker Martine. Both feature artists that have strong careers separate from the arrangement of people featured on these albums. And both are quiet, country-esque affairs that are better heard as background music than actively listened to.

That’s not a slight on either album. It’s not easy to make music that can bare repeated listening while being so completely unoffensive as to fade into the background like a fuzzy, flocked off-white patterned wallpaper.

You know and love these artists. Laura Veirs has been recording lovely singer-songwriter stuff since the late 90s. Neko Case has appeared on the Top 31 at least twice. k.d. lang is a legend. This is almost too much awesomeness to be contained in one record. And yet…

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29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#29 on the 2016 Bacon Top 31

Love Letter for Fire by Sam Beam & Jesca Hoop

Prior to hearing the album here at #29, I was familiar with only half of the duo. I’ve been a fan of Sam Beam, otherwise known as Iron & Wine, for over a decade. Jesca Hoop has been recording music for nearly as long as Beam, but this album was my first experience with her sultry voice.

Love Letter for Fire is a perfectly fine record. It’s gorgeous, a lovely thing to put on in the background when you’re — I don’t know — knitting by a fire, ensconced in a cabin deep in the woods on an island in the San Juans, or at least imagining yourself doing as much.

The album is produced, engineered and mixed by Seattle’s Tucker Martine, who has worked on a mind-boggling high number of albums I’ve loved over the years. Finger picked guitars, violins and cellos, pianos, and the buttery-smooth voices of Beam and Hoop — you really can’t go wrong.

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30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#30 on the 2016 Bacon Top 31

Barbara Barbara, We Face a Shining Future by Underworld

Oh how the mighty have fallen. If this were the early nineties, I’d be putting my absolute favorite “electronic music” band up near the top of the chart. But today, I feel as though I’m simply throwing them a bone because, hey, the old guys are still willing to give it a shot.

You know the Underworld. “Born Slippy .NUXX,” the outro of the 1996 movie Trainspotting, was the song of an entire generation, able to finally breath after the claustrophobia of our childhood, graduating into our own future. Barbara Barbara, the band’s ninth album in their 28 year history, will feel very familiar to anyone that has heard Underworld before. I believe this to be a fantastic album, just one that I no longer am able to connect with like I did in my twenties. So, to the second-to-last-spot on the Top 31 they go, a Second Toughest of the Infants no longer.

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31. Preoccupations by Preoccupations

#31 on the 2016 Bacon Top 31

(The above video is NSFW) Hello everybody. What a year 2016 has been. In many ways, 2016 will go down as one of the worst years on record. But for me, 2016 has also been one of the best years. I got to share another year of life of earth with my son, who grows up much too quickly. In March I met my girlfriend, Anna, whose mere existence pushes me ways I never knew existed.

And where life in 2016 has been complicated by both good and bad, so, too, has the music of the year. We lost far too many musical geniuses (I can’t bare to list them here, lest I be unable to finish this post, lost in bittersweet memory). But the year has brought us some fantastic new music as well.

Personally, life has gotten so busy, I debated whether or not to continue the Top 31. The fact that I’ve written this post and you’re now reading it tells you where I landed, but it won’t be without sacrifice. December is going to be a little crazy for me, and I’m both excited and overwhelmed by that thought. I’m a bit concerned about getting posts out on time, so I’m making some minor adjustments (hopefully unseen by you) to accommodate. Do please forgive the occassional fuck up. The Top 31 lives on, and without further adieu, here’s your #31 of the year:

Preoccupations by Preoccupations

You may have not heard of Preoccupations before, but if you’ve been a fan of the Bacon Review for any length of time, then you’re familiar with this band, as they appeared at #20 in the 2015 Top 31 under the name Viet Cong. According to Wikipedia, the band formerly known as Viet Song received a lot of flack for their chosen moniker, because called racist, insensitive, and I’m sure many other far worse things. They changed their name to Preoccupations, erasing all mention of their former band name, claiming only their first album was titled “Viet Cong.”

Preoccupations, the album, expresses a lot of the same influences their debut album did last year, and it’s all the better for it. This won’t be the only 80s goth revival you hear on the countdown — I grew up in the 80s. Please excuse the nostalgia.